Media Release from Blue Bella Records
Who: Nick Moss
When: Through December 31, 2015
Where: All over the Globe
Related websites: Recent Video- https://www.youtube.com/watch?v=oYN97vQUEYA
-ROCK AND ROLL WITH SOUL AND BLUES WITH A GROOVE
-COME SEE WHY GUITAR WORLD MAGAZINE RANKS THE NEW CD "TIME AIN'T FREE" ONE OF THE TOP 50 ALBUMS OF 2014!!! Guitar World's 50 Best Albums of 2014 | Guitar World
- THE MOST EXCITING, HARDEST WORKING BAND ON THE CIRCUIT TODAY!!!! - Featuring the amazing vocals of Michael Ledbetter, (Descendant of the Great Ledbelly) and the blazing inventive fretwork of guitar master Nick Moss.
“Merging diverse influences—vintage soul to classic rock, psychedelia to jazz fusion—Moss offers plenty of space for his five-piece to create fresh-sounding compositions.” - Relix
“A high-water mark for the Chicago-based band... the album's 14 tracks will have you tapping your feet along and dropping your jaw at Moss’ many blistering guitar solos.” - Scott Bernstein/Jambase
“Nick Moss’ guitar work speaks in volumes; from soft and moving to scorching and ferocious, he runs the absolute gamut of a blues legend in complete control of his style, form and virtuosity. As relevant as any other master of his craft, Moss proves to be an exceptional force…” Grateful Web
Nick Moss Bio: Never settled, always searching for the perfect sound
There's always been something rambunctious about Nick Moss. While other artists settle into a genre, Nick has always been about discovering new sonic territory, new textures and new musical frontiers. His recording career spans decades and his albums are staples at blues radio worldwide, and are now in rotation at stations with jam and rock formats. All this would leave most artists satisfied to stick with a niche. However, Nick's pursuit of sound comes from a restless, innovative and constant search for music that evokes a physical and emotional response. It's not just chords and progressions and songs that make up Nick's music mentality, but his desire to elevate an audience; to evoke a feeling of euphoric energy between performer and listener; to capture sound as well as sensation.
Nick's formative years were lived to the tunes of Led Zeppelin, Gladys Knight, The OJ's, Sly and the Family Stone, The Ohio Players, James Brown, The Allman Brothers, ZZ Top, Free and Black Oak Arkansas. “Music was everywhere when I was growing up,” he remembers. “My mom and dad loved music and it was always playing in the house. Music was piped in at the pool we went to in the summer. The joys of my young life were going to the record store and flipping through vinyl.” Nick laughs, “I actually carried a cassette in my pocket so if I was at a friend's house and they had something new, I could make a copy. There was nothing quite like popping that cassette into a deck and hearing something I'd never heard before.”
It's Nick's childlike enthusiasm for all kinds of music- backed by the guitar, vocal and songwriting chops to take on any style that is downright contagious and has contributed to his recognition as an artist not defined by blues boundaries. “A lot of my blues fans like what I'm doing with my non-straight blues,” he explains. In 2011, Moss released Here I Am, which debuted at an impressive #2 on the Relix/jambands.com radio chart. Moss' 2014 release Time Ain't Free “reaches deeper into soul, funk, and rock 'n' roll....” said Billboard Magazine. Victoria Amps Mark Baier, writing for chicagobluesguide.com, said Moss is “a modern cross generational musician.”
“I think authentic music, real music, is about experimenting,” says Nick. “I love what I do but I don't want to do it the same way every performance or on every recording.” It's Nick's insistence that he and his band expand territories instead of settling in or settling down to one style.
Increasingly, Nick has become a songwriter with a keen interest in social issues. “Having children changes your perspective,” he notes. “As the father of a ten year old daughter, I see the world as a very different place. And I think that shift in focus from self to society is evident in my recent work.”
“Sometimes I write songs with social commentary in a way to help explain difficult situations that take place today for my daughter. Situations with examples about right and wrong and the choices we make.” says Nick.
“I wrote the song Shadetree about what's happening in Ferguson. I had to find a way to explain the situation to my daughter. It was a dialogue about right and wrong, and the choices we make.” says Nick.
Whether its blistering blues or Allman influenced rock or an apt social commentary set to brilliant music, Nick Moss continues to meld influences and reach into the unknown and experiment with the sounds he finds. And for Nick, it's not all about his own musical journey. It's always his desire from his place onstage, to pass along the passion and love of his craft to those who come to see him play. “It's about the experience,” he says. “A shared love of music and being ele